Born:	1930, Lower Merion, Pennsylvania
Married:	Edith Cohn, 1961
Children:	Jeremy, born 1963; Naomi, born 1964
Education:	Virginia Military Institute, 1948—1950
	Yale University, BFA 1954, MFA 1961
Teaching:	University of Bridgeport (Art History), 1959
	Yale University (Teaching Assistant), 1960
	Maryland Institute, 1961—1968
	Yale Summer School of Music and Art at Norfolk, 1970
Artist-in-Residence:	University of Tasmania, Hobart, Australia, 1982
	Dartmouth College, Hanover, NH, 1983
	Pasadena City College, CA, 1999
	Weber State University, Ogden, UT, 2004
Visiting Artist:	Dartmouth College, 1971
	Yale University 1972, 1979, lecture series on contemporary printmaking, 1988
	Columbia University, 1980
	Middlebury College, 1981
	Melbourne and Sydney, Australia: lectures under a grant from the Australia Council to the Arts, l982
	Tyler School of Art, Philadelphia, PA, 1984
	University of Florida, Gainesville, 1985
	State University of New York at Purchase, 1985
	Rhode Island School of Design, 1985
	Two River Printmaking Studio, 2001
	Mint Museum, Charlotte, NC, 2004
	Winthrop University, Black Rock, SC, 2004
Awards:	Yale-Norfolk Residency, 1953
	Yale Traveling Fellowship, 1954
	Louis Comfort Tiffany Foundation Grant, 1963
	1st prize, Festival de Artes Graficas, Cali, Colombia, 1969
	Grand Prize, 2nd Festival of Art, Seoul, Korea, 1972
	Residency, Rockefeller Foundation, Bellagio, Italy, 1990
	Medal of Honor, Interprint '90, Lvov, Ukraine, 1990
	Awards Exequo of the Triennial, International Triennial of Graphic Arts, Cracow, Poland, 1991
	Triennial Special Prize, International Print Triennial, Cracow, Poland, 1997
	Honorable Gold Diploma, 9th International Print Biennial, Varna Bulgaria, 1997
	Commendatory Award, 3rd International Miniprint Triennial, Lahti Finland, 1998
	Gold Medal, International Print Triennial, Friedrikstad, Norway, 1999
	The Honorable Mention, International Print Triennial, Cracow, Poland, 2003
	Special Jury Award, 13th International Print Biennial, Varna, Bulgaria, 2005
Selected Public Collections:	Baltimore Museum of Art, Baltimore, MD
	Bibliotheque Nationale, Paris, France
	British Museum, London, England
	Brooklyn Museum, Brooklyn, NY
	Carnegie Museum of Art, Pittsburgh, PA
	Cincinnati Art Museum, Cincinnati, OH
	Cleveland Museum of Art, Cleveland, OH
	Corcoran Gallery of Art, Washington, DC
	Detroit Institute of Arts, Detroit, MI
	Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum, San Francisco, CA
	Fogg Art Museum, Harvard University, Cambridge, MA
	High Museum of Art, Atlanta, GA
	Hirshhorn Museum and Sculpture Garden, Washington, DC
	Library of Congress, Washington, DC
	Los Angeles County Museum of Art, Los Angeles, CA
	Metropolitan Museum of Art, New York, NY
	Minneapolis Institute of Arts, Minneapolis, MN
	Museo de Arte Moderno, Bogotá, Colombia
	Museo de Arte Moderno "La Tertulia", Cali, Colombia
	Museum of Fine Arts, Boston, MA
	Museum of Modern Art, New York, NY
	National Collection of Fine Art, Washington, DC
	National Gallery of American Art, Washington, DC
	National Gallery of Art, Washington, DC
	Pennsylvania Academy of the Fine Arts, Philadelphia, PA
	Philadelphia Museum of Art, Philadelphia, PA
	Phillips Collection, Washington, DC
	Seattle Art Museum, Seattle, WA
	Tate Gallery, London, England
	Yale University Art Gallery, New Haven, CT
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1930	Born Lower Merion, PA, April 2.
1938	Family move to Pittsfield, MA.
1944-48	Darrow School, New Lebanon, NY.
1948-50	Virginia Military Institute. First year: Civil Engineering; second year: Humanities.
1950-54	Yale University, School of Art & Architecture, under Josef Albers. Yale Summer School at Norfolk, 1953 BFA 1954.
1954-55	Yale University Traveling Fellowship Grant. Year of informal travel in Europe, mainly Italy and France. Meet Nadia Boulanger in Fountainbleu and study music in Paris. Painting derivations of Cezanne.
1956-57	Residence in New Haven. Still painting derivations of Cezanne. Subsisting by lettering store sale signs and selling Good Humor ice cream.
1958	Patience with dead-beat life and derived painting waning. Become Assistant Registrar at Yale Art Gallery and shift to sculpture, now derivative of Henry Moore and Jacques Lipschitz.
1959	Apprenticing as art teacher at Hamden Hall, grades 2-7, and as art history lecturer at University of Bridgeport. Back to painting, now non-objective, derivative of Stuart Davis.
1960	Return to Yale University. Assistant teacher in Drawing. Painting now trying to be "action," muscular and generally macho. Prints begin to attract me as the macho world of painting and the New York art scene frustrates and dismays me. Print world seems more of an undiscovered island. The first lift-ground print is of a single tree.
1961	Yale MFA. Marry Edith Cohn, June, in New Haven.
1961-68	Instructor in Basic Design and Drawing, Maryland Institute, Baltimore.
1962	Tested for red and green color blindness at Johns Hopkins University. I am totally taken aback at degree of deficiency. Black-and-white prints from now on!
1963	First one-man show of graphics, Berkshire Museum, Pittsfield, MA. Birth of son, Jeremy, December.
1964	Louis Comfort Tiffany Foundation Grant in Graphics. Enter first all-print exhibition, Boston Printmakers' 16th Annual Exhibition with PANORAMA 1. Birth of daughter, Naomi, December.
1964-69	Compulsively enter every graphics exhibition possible. Jeremy, Naomi, & Baltimore architectural motifs become main subject. Astonished to win 16 awards in 1966 with STREET SCENE and GARDEN. Greed for prizes flourishes briefly, then begins to wane. Enthusiasm for exhibiting in general begins to fade.
1969	Move to rural Francestown, New Hampshire, having given up teaching for a year. Converted barn hayloft becomes studio and escape is complete. JOLLY CORNER SUITE and experimenting with uv sensitive resists begun. Receive first prize, IX Festival de Artes Graficas, Cali, Colombia, invited as juror to X Festival, and given first one-man show outside of United States.
1970	Accept last formal teaching post, as instructor of graphics, Yale Summer School of Music and Art at Norfolk. Start working with Robert Townsend, the intaglio printer of my editions ever since. I continue to do all my own proofing.
1971	Visiting Artist, Dartmouth College. JOLLY CORNER SUITE published by Aquarius Press, Baltimore.
1972	Grand Prize, International Biennial of Prints in Seoul, Korea. One-man exhibition, Corcoran Gallery of Art. Visiting Artist, Yale University.
1973	Beginning to find exhibiting as distracting as was teaching. Wonder if I am becoming a complete eccentric. The irony of non-exhibiting artist not entirely lost on me.
1975	First one-man show in Europe, Galerie Georges Bernier, Paris.
1977	Impressions Workshop, Boston, publishes first catalog raisonné:Peter Milton: Complete Etchings 1960-1976.
1977-81	Two concurrent exhibitions organized by International Exhibitions Foundation, Washington, DC. Travel to over forty cities.
1979	Visiting Artist, Yale University.
1980	After eighteen years of concentrated printmaking, decide to undertake discreet midlife crisis by leaving prints.  Start two-year Stolen Moments graphite on drafting film drawing project.  The Jolly Corner Suite published in book form, Terra Nova Editions, London.  Publication Exhibition, Francis Kyle Gallery, London.  Visiting Artist, Columbia University.
1981	Visiting Artist, Middlebury College, VT.
1982	Under grant from Australian Council for the Arts, conduct printmaking workshop in Hobart, Tasmania.  Lectures in Melbourne and Sydney.
1983	Drawing splurge has run its course.  Discourse with the idea of the specialized printmaker still gnaws.  Concern about color blindness thrown to the winds -- start eight-foot canvas on Les Belles et la Bête theme.  Artist-in-Residence, Dartmouth College.
1984	Realization dawns that one painting a year doth not a prolific career make: painting The Rehearsal has taken a year.  Sail back to port and printmaking.  Interiors series begins with Family Reunion.
1985	Visiting Artist, University of Florida, Gainsville; State University of New York at Purchase; Rhode Island School of Design, Providence.
1988	Lecturer in series on contemporary printmaking, Yale University.
1989	Interiors series nearing end with six images completed.  My thoughts turn toward a new James project, The Aspern Papers.  After the measured pace of Interiors, I feel the need for a profusion of images and return to drawings.
1990	Six weeks residence at Rockefeller Center, Bellagio, Italy.  A Dream period, Lake Como is the perfect for setting the mood for The Aspern Papers'  Italian ambience.  Visit Venice and find the disintegrating palazzo which is James's setting for the story.
1991	The Aspern Papers interrupted to complete INTERIORS series with its seventh image, The Train from Munich.
1993	The Aspern Papers is published, David R. Godine, Boston.  Original eight-image project is now eighteen drawings and one print.  Publication exhibition of the drawings, Mary Ryan Gallery, NY.
1994	Drawing show travels to Louis Newman Galleries, Los Angeles, Edith Caldwell Gallery, San Francisco, and the More Gallery, Philadelphia.  The Primacy of Touch, a catalogue raisonné of drawings published by Hudson Hills Press, NY.  Begin the "Millennium Series" with Points of Departure I: Mary's Turn, and Points of Departure II: Nijinsky Variations.
1996	Nijinsky Variations finished, after what seems like a millennium itself.  Peter Milton: Complete Prints 1960-1996 published by Chronicle Books, San Francisco.  Two weeks in Venice.  Tintoretto and Tiepolo. I ponder Renaissance ideal of universal appeal in art has gone from highest priority to lowest.  Duchamp rules.
1997	We move to Santa Monica for winters and grandson.  Francestown remains primary residence -- I can never leave the gardens: my little Giverney sans water lilies. Retrospective  exhibitions at Currier Museum, Susquehanna Art Museum, Austrian Embassy in Washington.
1998	My printer, Robert Townsend, encourages me towards color prints, but my red/green problem haunts the project. Frustration trumps wishful thinking and I flee. Reassured by retrospective at the De Young Museum, in San Francisco. Finish Twentieth Century Limited. An image for catastrophists.
1999	Pavane completes Points of Departure series.  Artist-in-Residence, Pasadena City College.  Talks at the Getty for the Degas photographic exhibition. Suppress the urge to be as annoying to Degas as Degas was to everyone else.
2000	Always the pessimist, am amazed to have made it into a new century.  Curious to see how it will view all those cutting edges of a now retro century.
2001	Finish Visions and Revisions. Very Belle Epoque, starting with J.S. Sargent but switching to Marcel Proust at encouragement of Francis Kyle, my London dealer to show in the National Theatre Exhibition for Harold Pinter’s play of Proust’s novel.
2002	Named to advisory committee by Bureau of Printing and Engraving for ongoing redesign of U.S. currency. Startled and delighted by the new twist on concept of making money.
2003	Alarmed that people are beginning to ask if I’m retired. ??? I respond that artists never retire.
2004	Slide talk at centennial symposium for James Joyce Bloomsday celebration in Dublin. Finish Embarkation for Cythera, which was started in 2000 and discarded repeatedly. My main talent appears to be insane persistence.
2006	Finish the second state of The Ministry. Finish Hidden Cities III: Continuum, an elaboration of the Galleria Vittorio Emmanuel in Milan. Finish an extensive revision of Visions and Revisions, renamed In Search of Lost Time. Has been an unnerving year of deadlines around the London show at Francis Kyle Gallery, the Krakow Triennial, Krakow, Poland and the 14th Seoul Space International Print Biennial, Seoul Museum of Art, Seoul, Korea.
2007	Always the frustrated myopic and still searching for acuity denied, I take a desperate dive head first into the microcosm of the pixel. At first, in the free fall of a computer illiterate, I start a hair raising digital learning curve which gradually levels out into the sweet trajectory of a new series. Acuity regained.
2008	Finished Sight Lines 1: Tracking Shot, my first digital image. Printed in both digital and intaglio versions with a third on transparent film to be displayed in a LED lightbox. Retrospective at the Old Print Shop. Participated in Icon-Data 2008.
2009	Finished Dress Rehearsal, started as Sight Lines II, but reconfigured to stand alone. Digital print in two sizes. Gravure/intaglio version problematical and abandoned. Sight Lines II is started, focusing on the 1920's Parisian street photography of Eugene Atget. Reviewed both in a new acquisitions show at Stanford University Cantor Art Center and a collector's exhibition at the Currier Museum of Art. Print biennial in Guanlan, China, triennial in Krakow, Poland. Monograph included in 60 Years of American Prints, by David Acton, published by Boston Printmakers.
2010	Tentative plans for a retrospective exhibition at Norman Rae Gallery/University of York, York, UK, organized by Francis Kyle Gallery.
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Catalogues Raisonnees:

	Peter Milton: Complete Prints 1960-1996, introduction by Robert Flynn Johnson, text by Peter Milton.  San Francisco: Chronicle Books, 1996.
	Peter Milton: Complete Etchings 1960—1976, edited by Kneeland McNulty. Boston: Impressions Workshop, 1977.
	The Primacy of Touch: The Drawings of Peter Milton, Introduction by Rosellen Brown, text by Peter Milton. New York: Hudson Hills Press, 1993.

Livres d‘Artistes:

	The Jolly Corner, by Henry James. Baltimore: Aquarius Press, 1971.
	The Aspern Papers, by Henry James. Boston: David R. Godine, 1993.

Exhibition Catalogues:

	Illustrated catalogue published for the circulating exhibition organized by the International Exhibitions Foundation, Washington, DC, 1977—1981, edited by Kneeland McNulty.
	Peter Milton: Drawing Towards Etching. Brooklyn Museum, edited by Gene Baro, 1980.
	Peter Milton: Prints and Drawings. Exhibition organized by the Hood Museum and Thorne-Sagendorph Gallery, edited by Malcolm Cochran, 1982.
	Peter Milton: Prints and Drawings (exhibition organized by the Szoke Gallery, New York, NY), Introduction by Theodore F. G. Wolff, 1984.

Articles:

	Baro, Gene. “Peter Milton.” Drawing: The International Review (July 1980).
	Case, W. D. “Jolly Corner...” in Arts Magazine (September 1972).
	Craig, Jr., William. “A Pleasure of Illusions: The Art and Politics of Peter Milton.” Spectator (February 1991).
	Dinnage, Rosemary. “The Texture of Time and Space.” Times Literary Supplement (8 February 1980).
	Ewins, Rod. “Workshop with Peter Milton.” Imprint [Publication of Print Council of Australia] (June 1982).
	Finkel, Jori. “Peter Milton: Selected Prints, 1960-1997. De Young Memorial Museum, San Francisco.” On Paper (May-June 1998).
	Finkelstein, Irving L. “Julia Passing: The World of Peter Milton.” Artist’s Proof Annual of Prints and Printmaking (1971).
	Finkelstein, Irving L., “Peter Milton Revisited: A Decade of “Interior” Print. Extensive analysis, 30 pp., Not Published.
	Frankenstein, Alfred. “A Remarkable Series of Milton Prints.” San Francisco Chronicle (20 May 1978).
	Goldman, Judith. “Exploring the Possibilities of the Print Medium.” Art News (September 1973).
	Halasz, Pin. “The Metaphysical Games of Peter Milton.” Art News (1974).
	Hamm, Christine. “Keep Looking – There’s More.” The Concord Monitor (April 17, 1997).
	Hays, Kim. “Etched in Memory.” Boston Phoenix (20 January 1981).
	Heffernan, James A.W., "Peter Milton's Turn: An American Printmaker Marks the End of the Millennium." Word & Image Vol. 16, No. 1 (April-June 2000): 177-96. [Note: While considering some of Peter Milton's earlier work, particularly "Daylilies," this article chiefly examines the four prints of his POINTS OF DEPARTURE series.]
	Kelley, Gail. “Closer Look.” Boston Sunday Globe. (May 4, 1997).
	Kessler, Pamela. “Peter Milton’s Paradise Engraved” Washington Post (9 October 1987).
	Landi, Ann. “Black and White and Layered All Over,” Art News (May 1997).
	Linnane, Fergus. “Train Keeps a Date with Destiny.” European Elan (1-3 November 1991).
	Louch, Roberta. “Peter Milton in Conversation.” Visual Dialog (Summer 1979).
	Melville, Robert. “Gallery: The Feeling of Actuality.” Architectural Review [Westminster, England] (August 1971).
	Parrill, William. “Peter Milton, Henry James and ‘The Jolly Corner.”’ Innis­free (1977). (Reprinted in New Boston Review, 1977).
	Pepich, Bruce “Peter Milton.” Art Gallery International (May—June 1989).
	Richards, Paul. “Milton, the Magician...” Washington Post (3 April 1982).
	Raymond, Carol. “An Interview with Peter Milton.” Images (Winter 95/96).
	Ross, John, and Clare Romano. “Peter Milton’s Procedure.” in The Complete Printmaker (1972).
	Shapiro, Harriet. “All Realism Is Visionary” Intellectual Digest (Nov. 1972).
	Simmons, Rosemary. “Graphics: Peter Milton.” Arts Review [London] (15 February 1980).
	Tarshis, Jerome. “The Dynamics of Recollection.” Christian Science Monitor (15 January 1979).
	Wolff, Theodore. “Milton’s Mysterious World of Etching.” Christian Science Monitor (31 March 1980).
	“The Many Masks of Modern Art,” Christian Science Monitor (2 March 1982).
	“What Links Dürer and Milton.” In The Many Masks of Modern Art. Boston: Christian Science Publishing Society, 1989.
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1963	Berkshire Museum, Pittsfield, MA
	Franz Bader Gallery, Washington, DC
	Twentieth Century Gallery, Williamsburg, VA
	College of William and Mary, Williamsburg, VA
1965	The Baltimore Museum of Art, Baltimore, MD
1967	The Print Club, Philadelphia, PA
	Franz Bader Gallery, Washington, DC
1969	Troup Gallery, Dallas, TX
	Alpha Gallery, Boston, MA
1970	University of New Hampshire, Durham, NH
	De Cordova and Dana Museum and Park, Lincoln, MA
1971	Lamont Gallery, Phillips Exeter Academy, Exeter, NH
	Franz Bader Gallery, Washington, DC
	Alpha Gallery, Boston, MA
	Troup Gallery, Dallas, TX
	Editions Ltd., Indianapolis, IN
1972	The Print Club, Philadelphia, PA
	Talisman Prints, Laguna Beach, CA
	Museo de Arte Moderno "La Tertulia," Cali, Colombia
	Centro Colombo-Americano, Bogota, Colombia
	Imprint, San Francisco, CA
	Corcoran Gallery of Art, Washington, DC
	Richard Nash Gallery, Seattle, WA
	Optik Gallery, Amherst, MA
1973	Middlebury College, Middlebury, VT
	Cheney Cowles Memorial Museum, Spokane, WA
1974	University of Oregon, Eugene, OR
	University of Nebraska, Lincoln, NE
	Kutztown State College, Kutztown, PA
	The Schenectady Museum, Schenectady, NY
	MacDowell Colony, Peterborough, NH
1975	Biblioteca Luis-Angel Arango, Bogota, Colombia
	Galerie Georges Bemier, Paris, France
	Associated American Artists, New York, NY
1976	Alpha Gallery, Boston, MA
1976-1981	International Exhibitions Foundation, Washington, DC. two concurrent traveling exhibitions to over 40 American cities.  Opening shows at the Minneapolis Institute of Arts and San Francisco Palace of the Legion of Honor.
1979	Galerie Petites Formes, Osaka, Japan
1980	Francis Kyle Gallery, London, England
	The Brooklyn Museum, Brooklyn, NY
1981	Joint exhibition, Boston, MA: Alpha Gallery (drawings and Impressions Gallery (prints)
1982	Franz Bader Gallery
	Thorn-Sagendorph Art Gallery, Keene, NH
1983	Hood Museum of Art, Dartmouth College, Hanover, NH
	Lamont Gallery, Phillios Exeter Academy
1984	Louis Newman Galleries, Beverly Hills, CA
	Szoke Gallery, New York, NY
1985	Augen Gallery, Portland, OR
	Graystone Gallery, San Francisco, CA
1986	Hastings Gallery of Art, Hastings College of Law, San Francisco, CA
1987	Van Straaten Gallery, Chicago, IL
	Louis Newman Galleries
	Freeport Art Museum, Freeport, IL
	Franz Bader Gallery
	Szoke Gallery, New York, NY
	Allport/Caldwell Gallery, San Francisco, CA
1988	Greenhut Galleries, Albany, NY
	Print Club, Philadelphia, PA
	Francis Kyle Gallery
	Franz Bader Gallery
	Eastern Michigan University, Ypsilanti, MI
1989	Franz Bader Gallery
1990	The More Gallery, Philadelphia, PA
1991	Francis Kyle Gallery
	Davidson Galleries, Seattle, WA
	Szoke Gallery
	Franz Bader Gallery
1992	Louis Newman Galleries
	Edith Caldwell Gallery, San Francisco, CA
1993	Mary Ryan Gallery, New York, NY
1994	Edith Caldwell Gallery
	Francis Kyle Gallery
	Louis Newman Galleries
	The More Gallery
1995	Davidson Galleries
	Franz Bader Gallery
	Edith Caldwell Gallery
1997	Currier Museum, Manchester, NH
	Austrian Embassy, Washington, DC
	Asheville Art Museum, Asheville, NC
	Susquehanna Art Museum, Harrisburg, PA
1998	De Young Museum, San Francisco, CA
1999	Museums of Pennsylvania, traveling show.
	The More Gallery
	Davidson Galleries
	Addison/Ripley Gallery, Washington, DC
	Montgomery Gallery, San Francisco, CA
	McGowan Gallery, Concord, NH
	Pasadena City College, Pasadena, CA
2000	McGowan Gallery, Concord, NH
	Sydne Bernard Gallery, Los Angeles, CA
2001	Jack Rutberg Gallery, Los Angeles, CA
	East West Gallery, Rochester, NY
	Memorial Art Gallery, University of Rochester, Rochester, NY
	Wenniger Gallery, Rockport, NY
	McGowan Gallery, Concord, NH
	National Science Foundation, Washington, DC
2003	4th International Triennale, Lahti, Finland
2004	Weber State University, Ogden, UT
	Winthrop University, Black Rock, SC
	Hodges Taylor Gallery, Charlotte, NC
	Davidson Galleries, Seattle, WA
2006	Francis Kyle Gallery, London
	McGowan Fine Art, Concord, NH
	Warnock Fine Arts, San Francisco, CA. (with Erik Desmazieres)
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INSTITUTION	CITY	STATE	COUNTRY
Achenbach Foundation for Graphic Arts	San Francisco	CA
Albion College	Albion	MI
Albright-Knox Art Gallery	Buffalo	NY
Allegany Community College	Cumberland	MD
Alverthorpe Gallery, Lessing J. Rosenwald Collection	Jenkintown	PA
Anchorage Fine Arts Museum	Anchorage	AK
Arkansas Arts Center	Little Rock	AR
Arnot Art Museum	Elmira	NY
Asheville Museum of Art	Asheville	NC
Auburn University	Auburn	AL
Augustana College	Rock Island	IL
Baldwin-Wallace College	Berea	OH
Baltimore Museum of Art	Baltimore	MD
Banco de la Republica	Bogotá		Colombia
Baylor University	Waco	TX
Bibliotheque Nationale	Paris		France
Black Hawk College	Moline	IL
Bloomsburg State College	Bloomsburg	PA
Boston Public Library	Boston	MA
Bradley University	Peoria	IL
British Museum	London		England
Brooklyn Museum	Brooklyn	NY
California State College	California	PA
California State University	Chico	CA
Carnegie Museum of Art	Pittsburgh	PA
Cheney Cowles Memorial Museum	Spokane	WA
Cincinnati Art Museum	Cincinnati	OH
Cleveland Museum of Art	Cleveland	OH
Corcoran Gallery of Art	Washington	DC
Cornell University	Ithaca	NY
Court of General Sessions	Washington	DC
Cummer Gallery of Art	Jacksonville	FL
Currier Gallery of Art	Manchester	NH
Davidson College	Davidson	NC
De Cordova and Dana Museum and Park	Lincoln	MA
Detroit Institute of Arts	Detroit	MI
Diablo Valley College	Pleasant Hill	CA
Dickinson College	Carlisle	PA
Doane College	Crete	NE
Drake University	Des Moines	IA
Dulin Gallery of Art	Knoxville	TN
East Carolina University	Greenville	NC
East Central Oklahoma State University	Ada	OK
Eastern Michigan University	Ypsilanti	Ml
Easton Academy of the Arts	Easton	MD
Eckerd College	St. Petersburg	FL
Eisenhower College	Seneca Falls	NY
Emporia Kansas State College	Emporia	KS
Fine Arts Gallery of San Diego	San Diego	CA
Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum	San Francisco	CA
Fogg Art Museum, Harvard University	Cambridge	MA
Free Library of Philadelphia	Philadelphia	PA
George Washington University	Washington	DC
Germantown Friends School	Philadelphia	PA
Gibbs Art Gallery	Charleston	SC
Harn Museum of Art	Gainesville	FL
High Museum of Art	Atlanta	GA
Hirshhorn Museum and Sculpture Garden	Washington	DC
Hobart College	Geneva	NY
Hood College	Frederick	MD
Hood Museum of Art, Dartmouth College	Hanover	NH
Hopkins Center Art Galleries	Hanover	NH
Houghton Library, Harvard University	Cambridge	MA
Hunterdon County Art Center	Clinton	NJ
Illinois Wesleyan University	Bloomington	IL
Indiana State University	Terre Haute	IN
International Museum of Photography at George Eastman House	Rochester	NY
Joslyn Art Museum	Omaha	NE
Kansas State University	Manhattan	KS
Kent State University	Kent	OH
Kutztown State College	Kutztown	PA
La Salle College Art Gallery	Philadelphia	PA
Library of Congress	Washington	DC
Los Angeles County Museum of Art	Los Angeles	CA
Madison Arts Center	Madison	WI
Manchester Institute of Arts and Sciences	Manchester	NH
Maryland Institute College of Art	Baltimore	MD
Merrimack College	North Andover	MA
Mesa College	Grand Junction	CO
Metropolitan Museum of Art	New York	NY
Middlebury College	Middlebury	VT
Millsaps College	Jackson	MS
Minneapolis Institute of Arts	Minneapolis	MN
Mint Museum	Charlotte	NC
Montclair Art Museum	Montclair	NJ
Museo de Arte Moderno	Bogotá		Colombia
Museo de Arte Moderno "La Tertulia"	Cali		Colombia
Museum of Fine Arts	Boston	MA
Museum of Modern Art	New York	NY
National Collection of Fine Art	Washington	DC
National Gallery of American Art	Washington	DC
National Gallery of Art	Washington	DC
New Britain Museum of American Art	New Britain	CT
New Jersey State Museum	Trenton	NJ
New York Times	New York	NY
Newark Public Library	Newark	NJ
Northern Illinois University	DeKalb	IL
Northwood Institute	Dallas	TX
Ohio University	Athens	OH
Ohio Wesleyan University	Delaware	OH
Oklahoma Art Center	Oklahoma City	OK
Pacific Lutheran University	Tacoma	WA
Palomar College	San Marcos	CA
Pasadena City College	Pasadena	CA
Pennsylvania Academy of the Fine Arts	Philadelphia	PA
Pennsylvania State University, University Park Museum of Art	University Park	PA
Peoria Art Guild	Peoria	IL
Philadelphia Museum of Art	Philadelphia	PA
Phillips Collection	Washington	DC
Phillips University	Enid	OK
Plymouth State College	Plymouth	NH
Portland Art Association	Portland	OR
Portland Art Museum	Portland	OR
Princeton Gallery of Fine Art	Princeton	NJ
Radford College	Radford	VA
Randolph-Macon Woman's College	Lynchburg	VA
Rhode Island School of Design Museum of Art	Providence	RI
Rutgers University, The Jane Voorhees Zimmerli Art Museum	New Brunswick	NJ
Sam Houston State University	Huntsville	TX
Seattle Art Museum	Seattle	WA
Skidmore College	Saratoga Springs	NY
Society of American Graphic Artists, Inc.	New York	NY
Southern Illinois University	Carbondale	IL
Southwestern Oklahoma State University	Weatherford	OK
St. Cloud State University	St. Cloud	MN
St. Lawrence University	Canton	NY
Stanford University, Cantor Center for Visual Arts	Stanford	CA
State University College at Potsdam	Potsdam	NY
Syracuse University	Syracuse	NY
Tampa-Hillsborough County Public Library System	Tampa	FL
Tate Gallery	London		England
Tennessee Botanical Garden and Fine Arts Center, Checkerwood	Nashville	TN
Texas Tech University	Lubbock	TX
University of Arkansas	Fayetteville	AR
University of California	Davis	CA
University of California Los Angeles, Grunewald Center for the Graphic Arts	Los Angeles	CA
University of Evansville	Evansville	IN
University of Florida	Gainesville	FL
University of Iowa	Iowa City	IA
University of Maine at Orono	Orono	ME
University of Massachusetts at Amherst	Amherst	MA
University of Nevada	Reno	NV
University of North Dakota	Grand Forks	ND
University of Pennsylvania	Philadelphia	PA
University of Pittsburgh, Book Center	Pittsburgh	PA
University of Redlands	Redlands	CA
University of Texas at Austin	Austin	TX
University of the South	Sewanee	TN
University of Virginia	Charlottesville	VA
University of Windsor	Windsor	Ontario	Canada
Utah Museum of Fine Arts	Salt Lake City	UT
Vincennes University	Vincennes	IN
Weber State University	Ogden	UT
Western Connecticut State College	Danbury	CT
Westminster College	New Wilmington	PA
Wichita Art Association, Inc.	Wichita	KS
Wilmington College	Wilmington	OH
Yale University Art Gallery	New Haven	CT
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